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		<title>Info</title>
				
		<link>https://claire-johnson.co.za/Info</link>

		<pubDate>Mon, 27 Jan 2020 09:46:22 +0000</pubDate>

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Info


Claire Johnson (b.1986, South Africa) lives and works in Cape Town, where she graduated from Michealis School of Fine Art (PG Dip).

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She maintains a solo art practice and is co-founder of the creative design studio Hoick, established in 2015 with Dale Lawrence. Johnson has presented two solo exhibitions and participated in numerous group exhibitions and art fairs, notably Investec Cape Town Art Fair in 2026, Zsonamaco, Mexico City in 2023, and&#38;nbsp; AKAA Paris in 2021.

Solo Exhibitions

2019 — Remnant, SMITH, Cape Town

2016 — Changing Hands, SMITH, Cape Town

Art Fairs
2026 — RMB Latitudes Art Fair, South Africa, presented by Locus Projects

2026 — Cape Town Art Fair, South Africa, presented by Locus Projects

2023 — Zsonamaco Fair, Mexico City,&#38;nbsp; presented by Nuweland Gallery
2021 — AKAA Fair, Paris,&#38;nbsp; presented by Nuweland Gallery

2021 — 1-54 New York, presented by Nuweland Gallery

2019 — Art Joburg, Johannesburg, presented by SMITH

2018 — Investec Cape Town Art Fair, Cape Town, presented by SMITH

2016 — Cape Town Art Fair, Cape Town, presented by SMITH

2016 — FNB JHB Art Fair, Johannesburg, presented by SMITH

Selected Group Exhibitions

2022 — Painter! Painter!, Barnard Gallery, Cape Town

2021 — Between Strangers, Nuweland Gallery, Netherlands
2020 — Peep Show Exhibition,&#38;nbsp;Online

2019 — Rendezvous II,&#38;nbsp; SMITH, Cape Town
2019 — Emphatic Whispers,&#38;nbsp; SMITH, Cape Town


2019 — Re-Imagining Realities, Open24Hrs, Cape Town
2018 — Close Encounters, SMITH, Cape Town
2017 — Nano 1.1, Barnard Gallery, Cape Town

2017 — Out of Nowhere, SMITH, Cape Town

2017 — Salad, SMITH, Cape Town

2016 — Sketch, SMITH, Cape Town

2015 — Two, SMITH, Cape Town

Collaborative Hoick Shows
2017 — Shall We Move On? 
Solo Presentation, FNB Art Fair, Johannesburg, presented by SMITH

2015 — On Second Thought, SMITH, Cape Town (Hoick)




	Additional Links





	hoickstudios.cominsituproject.tumblr.com

	



	Education
	2010 —&#38;nbsp;Post-Graduate Diploma in Art, with distinction, Michaelis School of Fine Art, University of Cape Town.2009  —&#38;nbsp;Bachelor of Arts (Creative Brand Communication) specialising in graphic design, with honours, AAA School of Advertising, Cape Town.







	Work Experience
	2015 —present, Hoick creative studio, Cape Town, South Africa.
2011 —2015, CLRS&#38;amp;Co. conceptual design studio, Cape Town, South Africa.
2017 &#38;amp;&#38;nbsp;2018 — Teaching :
CTCA 3rd Year Conceptual Design Module




	Press
	2019— Art Africa,&#38;nbsp;Memories of the remnants of objects
2016 — Garden and Home, Abstract Thinking2016 — Elle Decor, Claire Johnson’s Changing Hands by Sam Evans



	Contact
	
For enquiries please contact claire(at)hoickstudios.com &#38;nbsp;&#38;nbsp;
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		<title>RMB Latitudes Joburg</title>
				
		<link>https://claire-johnson.co.za/RMB-Latitudes-Joburg</link>

		<pubDate>Mon, 25 May 2026 08:28:19 +0000</pubDate>

		<dc:creator>clairejohnson</dc:creator>

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		<description>RMB Latitudes Art Fair, Joburg, 2026

Presented by Locus Projects&#60;img width="1105" height="1528" width_o="1105" height_o="1528" data-src="https://freight.cargo.site/t/original/i/a69b7a9ab64325466200139fa5f6cd3fc079dee97c76794f8f297494fecdf7a4/APC_0267.jpg" data-mid="248707616" border="0"  src="https://freight.cargo.site/w/1000/i/a69b7a9ab64325466200139fa5f6cd3fc079dee97c76794f8f297494fecdf7a4/APC_0267.jpg" /&#62;
Oddments Study #12026, Oil on Canvas
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Oddments Study #22026, Oil on Canvas

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Oddments Bag #8, Batch #32024, Oil on Canvas
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Oddments Bag #8, Batch #1 &#38;amp; 2

2024, Oil on Canvas&#60;img width="1500" height="998" width_o="1500" height_o="998" data-src="https://freight.cargo.site/t/original/i/caf28f0fd1bb1e417abd37e5bea86032e6a6a54f85779624c61d93e12490b989/Locus_027_CWJ_5843.jpg" data-mid="249014579" border="0"  src="https://freight.cargo.site/w/1000/i/caf28f0fd1bb1e417abd37e5bea86032e6a6a54f85779624c61d93e12490b989/Locus_027_CWJ_5843.jpg" /&#62;





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		<title>Cape Town Art Fair 2026</title>
				
		<link>https://claire-johnson.co.za/Cape-Town-Art-Fair-2026</link>

		<pubDate>Thu, 19 Feb 2026 10:10:02 +0000</pubDate>

		<dc:creator>clairejohnson</dc:creator>

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		<description>Cape Town Art Fair, 2026

Presented by Locus Projects
&#60;img width="2853" height="3000" width_o="2853" height_o="3000" data-src="https://freight.cargo.site/t/original/i/7015d68d404d792318aa6b0c3896dcc900b0f5c0539a225c916f2cc747f5e2dd/Claire-Johnson---03_02_2026_LR.jpg" data-mid="245063998" border="0"  src="https://freight.cargo.site/w/1000/i/7015d68d404d792318aa6b0c3896dcc900b0f5c0539a225c916f2cc747f5e2dd/Claire-Johnson---03_02_2026_LR.jpg" /&#62;
Oddments Bag #9, Batch #12026, Oil on Canvas

&#60;img width="2374" height="3000" width_o="2374" height_o="3000" data-src="https://freight.cargo.site/t/original/i/428a582ad87ac970eaf9dc93e87278cc1f0b754d1cf9d0e7a8ace290bfafdb8a/Claire-Johnson---03_02_2026_1_LR.jpg" data-mid="245063969" border="0"  src="https://freight.cargo.site/w/1000/i/428a582ad87ac970eaf9dc93e87278cc1f0b754d1cf9d0e7a8ace290bfafdb8a/Claire-Johnson---03_02_2026_1_LR.jpg" /&#62;
Oddments Bag #9, Batch #22026, Oil on Canvas

&#60;img width="2296" height="3000" width_o="2296" height_o="3000" data-src="https://freight.cargo.site/t/original/i/0827577e885df2fd73d4e0cfa8dd5c387a00c4f447b356a3421a573e6b58b3fd/Claire-Johnson---03_02_2026_LR2.jpg" data-mid="245063999" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/0827577e885df2fd73d4e0cfa8dd5c387a00c4f447b356a3421a573e6b58b3fd/Claire-Johnson---03_02_2026_LR2.jpg" /&#62;

Oddments Bag #9, Batch #32026, Oil on Canvas
&#60;img width="2500" height="3155" width_o="2500" height_o="3155" data-src="https://freight.cargo.site/t/original/i/a4f9c241cbb28cf67e7329c92cc0ad1b0c66f5cd7bfee16dcd5654a53f3fc579/Claire-Johnson_New-oilpainting_brighter.jpg" data-mid="245064017" border="0"  src="https://freight.cargo.site/w/1000/i/a4f9c241cbb28cf67e7329c92cc0ad1b0c66f5cd7bfee16dcd5654a53f3fc579/Claire-Johnson_New-oilpainting_brighter.jpg" /&#62;
Oddments Bag #8, Batch #3



2024, Oil on Canvas




</description>
		
	</item>
		
		
	<item>
		<title>AKAA 2021</title>
				
		<link>https://claire-johnson.co.za/AKAA-2021</link>

		<pubDate>Thu, 23 Feb 2023 11:22:50 +0000</pubDate>

		<dc:creator>clairejohnson</dc:creator>

		<guid isPermaLink="true">https://claire-johnson.co.za/AKAA-2021</guid>

		<description>AKAA Fair, Paris, 2021

Presented by Nuweland Gallery
&#60;img width="2946" height="2186" width_o="2946" height_o="2186" data-src="https://freight.cargo.site/t/original/i/490bb3f29e3081ce301c2fc1a04698b12e3547ec80668ae40df9b3aa83f0170d/Batch1.jpg" data-mid="169425529" border="0"  src="https://freight.cargo.site/w/1000/i/490bb3f29e3081ce301c2fc1a04698b12e3547ec80668ae40df9b3aa83f0170d/Batch1.jpg" /&#62;Oddments Bag #6, Batch #12021, Oil on Canvas

&#60;img width="2165" height="1417" width_o="2165" height_o="1417" data-src="https://freight.cargo.site/t/original/i/7216278e728d2e396a2a285cea504a2514aaa8615da20fadd24b2290ab35bfae/Batch3.jpg" data-mid="169425530" border="0"  src="https://freight.cargo.site/w/1000/i/7216278e728d2e396a2a285cea504a2514aaa8615da20fadd24b2290ab35bfae/Batch3.jpg" /&#62;Oddments Bag #6, Batch #32021, Oil on Canvas

&#60;img width="1417" height="1945" width_o="1417" height_o="1945" data-src="https://freight.cargo.site/t/original/i/a64da4f07eae202bd3de4698765fe63637fa2334bc1f25d4a468cef5dac0bb91/Batch2.jpg" data-mid="169425531" border="0"  src="https://freight.cargo.site/w/1000/i/a64da4f07eae202bd3de4698765fe63637fa2334bc1f25d4a468cef5dac0bb91/Batch2.jpg" /&#62;Oddments Bag #6, Batch #22021, Oil on Canvas





</description>
		
	</item>
		
		
	<item>
		<title>Zsonamaco Fair, 2023</title>
				
		<link>https://claire-johnson.co.za/Zsonamaco-Fair-2023</link>

		<pubDate>Thu, 23 Feb 2023 11:24:17 +0000</pubDate>

		<dc:creator>clairejohnson</dc:creator>

		<guid isPermaLink="true">https://claire-johnson.co.za/Zsonamaco-Fair-2023</guid>

		<description>Zsonamaco Fair, Mexico City, 2023

Presented by Nuweland Gallery
&#60;img width="2000" height="1449" width_o="2000" height_o="1449" data-src="https://freight.cargo.site/t/original/i/528f7d613a8d5f644e4b705d4b256ce959f6607bf5e1c974ee3881f596084247/Oddment-Batch--7---4_lr.jpg" data-mid="169425973" border="0"  src="https://freight.cargo.site/w/1000/i/528f7d613a8d5f644e4b705d4b256ce959f6607bf5e1c974ee3881f596084247/Oddment-Batch--7---4_lr.jpg" /&#62;Oddments Bag #7, Batch #42023, Oil on Canvas

&#60;img width="1410" height="2000" width_o="1410" height_o="2000" data-src="https://freight.cargo.site/t/original/i/64a101046ded316d7066f3b1428bf37c7f54470b26b7461de20ecf9f2ffc7f23/Oddment-Batch--7---3_lr.jpg" data-mid="169425972" border="0"  src="https://freight.cargo.site/w/1000/i/64a101046ded316d7066f3b1428bf37c7f54470b26b7461de20ecf9f2ffc7f23/Oddment-Batch--7---3_lr.jpg" /&#62;Oddments Bag #7, Batch #32023, Oil on CanvasJohnson’s series is a continuation of Oddment Batch, whose compositions are drawn from offcuts. The fabric remnants are collected from tailors and clothing designers. One batch was kept aside by a Senegalese tailor who worked in the artist’s neighbourhood: “Bara made custom ceremonial clothing, spending hours with clients selecting fabrics and finalising fits to create garments intended to mark moments in time.” Johnson is compelled by the quiet expression of a practiced hand – the quick, sharp gestures of scissors on cloth. The awkward remainders call up the curve of a neck here, the widening of a hip there. They are traces of an intimate engagement between bodies and cloth.In time, a garment will lead its own life, moving away from its original role and perhaps outliving its wearer. The narratives it holds will be forgotten or retained as fragments, frayed at the edges.Johnson’s paintings have a provisional quality, the oil sometimes tentative, sometimes sure on the canvas. The medium is made tactile and porous, bodily. But the body or object – collar, cuff, skirt – is missing. What remains is an amalgamation of odds. “There is no final form. It is now adrift without purpose or construction – ineffable in form and metaphorical in meaning.” — Chloë Reid for Nuweland Gallery


&#60;img width="1415" height="2000" width_o="1415" height_o="2000" data-src="https://freight.cargo.site/t/original/i/52e6280f5a8c45510be764108eb7dc992e422d4085d74fa0128eff08b735bc7c/Oddment-Batch--7---2_lr.jpg" data-mid="169425971" border="0"  src="https://freight.cargo.site/w/1000/i/52e6280f5a8c45510be764108eb7dc992e422d4085d74fa0128eff08b735bc7c/Oddment-Batch--7---2_lr.jpg" /&#62;Oddments Bag #7, Batch #22023, Oil on Canvas&#60;img width="1560" height="2000" width_o="1560" height_o="2000" data-src="https://freight.cargo.site/t/original/i/0c7bf4834febd4e2afede40d0717054902abf78ac32056b4079cd47611011e2d/Oddment-Batch--7---1_lr.jpg" data-mid="169425970" border="0"  src="https://freight.cargo.site/w/1000/i/0c7bf4834febd4e2afede40d0717054902abf78ac32056b4079cd47611011e2d/Oddment-Batch--7---1_lr.jpg" /&#62;Oddments Bag #7, Batch #12023, Oil on Canvas




</description>
		
	</item>
		
		
	<item>
		<title>Group Shows and Art Fairs</title>
				
		<link>https://claire-johnson.co.za/Group-Shows-and-Art-Fairs</link>

		<pubDate>Mon, 27 Jan 2020 09:46:23 +0000</pubDate>

		<dc:creator>clairejohnson</dc:creator>

		<guid isPermaLink="true">https://claire-johnson.co.za/Group-Shows-and-Art-Fairs</guid>

		<description>New Work, Group Shows and Art Fairs
&#60;img width="2588" height="3266" width_o="2588" height_o="3266" data-src="https://freight.cargo.site/t/original/i/397a6b9b1756a98c31bddfa737ebcbe8f32dfe81ad16c03aed9534d5ad14a3d6/Claire-Johnson_New-oilpainting_brighter.jpg" data-mid="209919026" border="0"  src="https://freight.cargo.site/w/1000/i/397a6b9b1756a98c31bddfa737ebcbe8f32dfe81ad16c03aed9534d5ad14a3d6/Claire-Johnson_New-oilpainting_brighter.jpg" /&#62;
Oddments Bag #8, Batch #3
2024, Oil on Canvas
&#60;img width="1500" height="1115" width_o="1500" height_o="1115" data-src="https://freight.cargo.site/t/original/i/a812bb803e47fa26699bf0bc378f8cc4f18691899d0f11b353648baf50a40bac/ODDMENT-BATCH-8-1_lr.jpg" data-mid="204549386" border="0"  src="https://freight.cargo.site/w/1000/i/a812bb803e47fa26699bf0bc378f8cc4f18691899d0f11b353648baf50a40bac/ODDMENT-BATCH-8-1_lr.jpg" /&#62;
Oddments Bag #8, Batch #1 &#38;amp; 2
2024, Oil on Canvas






For Between Strangers Group Show, 2021, at Nuweland Gallery
&#60;img width="3000" height="2186" width_o="3000" height_o="2186" data-src="https://freight.cargo.site/t/original/i/b49a47a65d1bd2e5eb26ef3a1adcaa237dc0691556e2a79c09942949dafdb72f/17.png" data-mid="124964238" border="0"  src="https://freight.cargo.site/w/1000/i/b49a47a65d1bd2e5eb26ef3a1adcaa237dc0691556e2a79c09942949dafdb72f/17.png" /&#62;
Oddments Bag #5, Batch #2 &#38;amp; 32021, Oil on Canvas


For 1-54 New York, 2021, with Nuweland Gallery

&#60;img width="3054" height="4334" width_o="3054" height_o="4334" data-src="https://freight.cargo.site/t/original/i/21cce0e5dfb21bbcef5592daba424eed57f7bf543822fc0d9eccc448ce12d3cb/Oddment-Batch-Bag-II.jpg" data-mid="112906089" border="0"  src="https://freight.cargo.site/w/1000/i/21cce0e5dfb21bbcef5592daba424eed57f7bf543822fc0d9eccc448ce12d3cb/Oddment-Batch-Bag-II.jpg" /&#62;
Oddments Bag #2, Batch #12021, Oil on Canvas

&#60;img width="3054" height="4334" width_o="3054" height_o="4334" data-src="https://freight.cargo.site/t/original/i/848cbbfc79d8cb411d85268b7b5a1e3936a1e6a0cdcdea6bacd325e3624d4d0a/Oddment-Bag-Batch-V.jpg" data-mid="112906101" border="0"  src="https://freight.cargo.site/w/1000/i/848cbbfc79d8cb411d85268b7b5a1e3936a1e6a0cdcdea6bacd325e3624d4d0a/Oddment-Bag-Batch-V.jpg" /&#62;
Oddments Bag Batch V2021, Oil on CanvasFor Art Gazette, 2020
Oddments Study I, II, III2020, Lithograph on Munken Lynx

&#60;img width="7360" height="4912" width_o="7360" height_o="4912" data-src="https://freight.cargo.site/t/original/i/abc8db84f0d0a58a3b1ac9a8d13963cf43000af18be6eaccd70610369ab6e976/BXL-35.jpg" data-mid="94638079" border="0"  src="https://freight.cargo.site/w/1000/i/abc8db84f0d0a58a3b1ac9a8d13963cf43000af18be6eaccd70610369ab6e976/BXL-35.jpg" /&#62;&#60;img width="4601" height="6524" width_o="4601" height_o="6524" data-src="https://freight.cargo.site/t/original/i/4dbb8bf54ffd05b31d290c46170171793c323088fb82528765472f9b71f89b40/12Idleist-Study-II.jpg" data-mid="94638304" border="0"  src="https://freight.cargo.site/w/1000/i/4dbb8bf54ffd05b31d290c46170171793c323088fb82528765472f9b71f89b40/12Idleist-Study-II.jpg" /&#62;&#60;img width="4601" height="6524" width_o="4601" height_o="6524" data-src="https://freight.cargo.site/t/original/i/d8cff85e35b08b46ec687b84117bb6bfa90a12bbc9b4de8a05a734b909f7c620/2Idleist-Study-II.jpg" data-mid="94638287" border="0"  src="https://freight.cargo.site/w/1000/i/d8cff85e35b08b46ec687b84117bb6bfa90a12bbc9b4de8a05a734b909f7c620/2Idleist-Study-II.jpg" /&#62;&#60;img width="4601" height="6524" width_o="4601" height_o="6524" data-src="https://freight.cargo.site/t/original/i/9d0a1aa0580c0e90eb752e02c67f36be52cb0fcef96ead3705974b5c483cf7c3/Idleist-Study-II.jpg" data-mid="94638289" border="0"  src="https://freight.cargo.site/w/1000/i/9d0a1aa0580c0e90eb752e02c67f36be52cb0fcef96ead3705974b5c483cf7c3/Idleist-Study-II.jpg" /&#62;



Oddments Bag #2, Batch #1.2020, Oil on canvas70 x 100 cm

&#60;img width="1390" height="2000" width_o="1390" height_o="2000" data-src="https://freight.cargo.site/t/original/i/d1b54181b558a638faa3a65fa3b3e420264e15b3d5de29659fbca772ea5fa627/IMG_1113.jpg" data-mid="74093186" border="0"  src="https://freight.cargo.site/w/1000/i/d1b54181b558a638faa3a65fa3b3e420264e15b3d5de29659fbca772ea5fa627/IMG_1113.jpg" /&#62;


For Clarkes Bookshop Auction, 2020Keep My Place2020, Oil on canvas board30 x 40,5 cm

&#60;img width="2787" height="3720" width_o="2787" height_o="3720" data-src="https://freight.cargo.site/t/original/i/fa8b55cd6a620910c4a751b2794936481a770888ddc6677011abeb32d7a20b86/DL_2020-_PHOTO_200521_IMG_1258.jpg" data-mid="74093148" border="0"  src="https://freight.cargo.site/w/1000/i/fa8b55cd6a620910c4a751b2794936481a770888ddc6677011abeb32d7a20b86/DL_2020-_PHOTO_200521_IMG_1258.jpg" /&#62;



From Rendevous II, 2019, SMITH, Cape Town

Oddments Set&#38;nbsp;2019, Acrylic on Canvas72cm x 102cm x 6,5cm



	&#60;img width="3054" height="4334" width_o="3054" height_o="4334" data-src="https://freight.cargo.site/t/original/i/e06513065b4eafe2519831289cc4294828b2efb36a100f0bf0c023094d358131/Rendevous-II.jpg" data-mid="59568068" border="0" data-scale="77" src="https://freight.cargo.site/w/1000/i/e06513065b4eafe2519831289cc4294828b2efb36a100f0bf0c023094d358131/Rendevous-II.jpg" /&#62;
A recurring preoccupation of Johnson's is the complex sentimental relationships people form with objects – how objects can become surrogates for lost human relationships or can come to embody unattainable dreams, memories of distant times and, as such, in their presence can become embodiments of absence itself. In response to these interests she mines the personal belongings of those close to her for source material – things cherished and things recently discarded, this time fabric offcuts from a tailor shop leftover after the cutting of a garment –&#38;nbsp;and attempts to translate in equal measures the&#38;nbsp;physical and psychological&#38;nbsp;form of the object, while at the same time celebrating the impossibility of&#38;nbsp;the&#38;nbsp;translation of personal perception.

From Emphatic Whispers, 2019, SMITH, Cape Town

Ceremonial Leftovers, 2019, Merino wool felt
63 x 59 cm

 &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;
	&#60;img width="1796" height="2000" width_o="1796" height_o="2000" data-src="https://freight.cargo.site/t/original/i/dd77331a142d62c8be2f8359d03a44b7af66719364edf2c0f8303620cca53c55/Ceremonial-Leftovers_2019.jpg" data-mid="59568069" border="0" data-scale="71" src="https://freight.cargo.site/w/1000/i/dd77331a142d62c8be2f8359d03a44b7af66719364edf2c0f8303620cca53c55/Ceremonial-Leftovers_2019.jpg" /&#62;

For Art Gazette, 2019&#38;nbsp;
The Idleist Study I, II, III2019, Lithograph on Munken LynxEdition of 20


&#60;img width="4601" height="6524" width_o="4601" height_o="6524" data-src="https://freight.cargo.site/t/original/i/1176adba1c1a6ca39b46f4b9aca5f698c044b19c9151f97b38018c988abfb536/Idleist-Study-I_framed.jpg" data-mid="94637761" border="0"  src="https://freight.cargo.site/w/1000/i/1176adba1c1a6ca39b46f4b9aca5f698c044b19c9151f97b38018c988abfb536/Idleist-Study-I_framed.jpg" /&#62;&#60;img width="4601" height="6524" width_o="4601" height_o="6524" data-src="https://freight.cargo.site/t/original/i/e302f33744be554c92b5318c437ab7d27382a0a62d79fde6ee11ac0dc0323c60/Idleist-Study-II_framed.jpg" data-mid="94637762" border="0"  src="https://freight.cargo.site/w/1000/i/e302f33744be554c92b5318c437ab7d27382a0a62d79fde6ee11ac0dc0323c60/Idleist-Study-II_framed.jpg" /&#62;&#60;img width="4601" height="6524" width_o="4601" height_o="6524" data-src="https://freight.cargo.site/t/original/i/a0425ba3f807b64a12cec59a09a05760c12c87ac37ffd2670341781af0d4cec5/Idleist-Study-III_framed.jpg" data-mid="94637764" border="0"  src="https://freight.cargo.site/w/1000/i/a0425ba3f807b64a12cec59a09a05760c12c87ac37ffd2670341781af0d4cec5/Idleist-Study-III_framed.jpg" /&#62;
From Art Joburg, 2019 Presented by SMITH, Johannesburg

Met liefde aan Rosie van Ma / Conhada ofereceme no dia da Festa de 19602019, Found Material174 x 230 cm

	
	
&#60;img width="1800" height="1201" width_o="1800" height_o="1201" data-src="https://freight.cargo.site/t/original/i/49f9625d17e7b78a8cbff46d2e1d85a7ba84dd223ced594a372826bfe7a0406f/SMITH_AUG_TWO_HR_50-lr.jpg" data-mid="59569360" border="0" data-scale="92" src="https://freight.cargo.site/w/1000/i/49f9625d17e7b78a8cbff46d2e1d85a7ba84dd223ced594a372826bfe7a0406f/SMITH_AUG_TWO_HR_50-lr.jpg" /&#62;
&#60;img width="1800" height="1201" width_o="1800" height_o="1201" data-src="https://freight.cargo.site/t/original/i/33b3be06c973693e4364cd6795e2e92bebe9128d920c6653122c19b1e785210b/SMITH_AUG_TWO_HR_51-lr.jpg" data-mid="59569361" border="0"  src="https://freight.cargo.site/w/1000/i/33b3be06c973693e4364cd6795e2e92bebe9128d920c6653122c19b1e785210b/SMITH_AUG_TWO_HR_51-lr.jpg" /&#62;
&#60;img width="1800" height="1201" width_o="1800" height_o="1201" data-src="https://freight.cargo.site/t/original/i/b99baff15dbd620560747f5980ef5c6502c2f845dd658d08a0e5d62740da76dc/SMITH_AUG_TWO_HR_53-lr.jpg" data-mid="59569362" border="0"  src="https://freight.cargo.site/w/1000/i/b99baff15dbd620560747f5980ef5c6502c2f845dd658d08a0e5d62740da76dc/SMITH_AUG_TWO_HR_53-lr.jpg" /&#62;
&#60;img width="1800" height="1201" width_o="1800" height_o="1201" data-src="https://freight.cargo.site/t/original/i/17844bc950a3758c083a19f9e4cce5fb45c0c2cb82be10fb88d693e65fea9c96/SMITH_ARTFAIR_HR_21-lr.jpg" data-mid="59569365" border="0"  src="https://freight.cargo.site/w/1000/i/17844bc950a3758c083a19f9e4cce5fb45c0c2cb82be10fb88d693e65fea9c96/SMITH_ARTFAIR_HR_21-lr.jpg" /&#62;


From Re-Imagining Realities, Open24Hrs, Cape Town

House Warming, Self Grooming, North Facing&#38;nbsp;2016, Linocut on paper120 x 80 cm, 120 x 80 cm,&#38;nbsp;
140 x 99 cm


&#60;img width="2046" height="2908" width_o="2046" height_o="2908" data-src="https://freight.cargo.site/t/original/i/33230874dfcb7d169e45805cd638be119370ced0131f2f10bd5754a9ea1b36eb/House-Warming.LR.jpg" data-mid="59568750" border="0" data-scale="66" src="https://freight.cargo.site/w/1000/i/33230874dfcb7d169e45805cd638be119370ced0131f2f10bd5754a9ea1b36eb/House-Warming.LR.jpg" /&#62;
&#60;img width="2030" height="2905" width_o="2030" height_o="2905" data-src="https://freight.cargo.site/t/original/i/76d10cdcc0ef2cfc79ad0c3e7a02681035c3269cf4290c323e36ff59c0e22817/Self-Grooming.LR.jpg" data-mid="59568752" border="0"  src="https://freight.cargo.site/w/1000/i/76d10cdcc0ef2cfc79ad0c3e7a02681035c3269cf4290c323e36ff59c0e22817/Self-Grooming.LR.jpg" /&#62;
&#60;img width="1200" height="1800" width_o="1200" height_o="1800" data-src="https://freight.cargo.site/t/original/i/401f81c5a4245f485538d6717dcade2f0e7617351c126a47704b944f3ee2c3b8/Changing-Hands_Smith_012.jpg" data-mid="59568751" border="0"  src="https://freight.cargo.site/w/1000/i/401f81c5a4245f485538d6717dcade2f0e7617351c126a47704b944f3ee2c3b8/Changing-Hands_Smith_012.jpg" /&#62;

From Out of Nowhere, 2017,&#38;nbsp;SMITH, Cape Town

Keeping Quiet I and II&#38;nbsp;2017, Painting on acrylic
&#60;img width="1704" height="2746" width_o="1704" height_o="2746" data-src="https://freight.cargo.site/t/original/i/d7f498281129633375f5b15aff3a4d71d20225556190c99709baab0016dddcab/keepign-quiter2.jpg" data-mid="59568066" border="0"  src="https://freight.cargo.site/w/1000/i/d7f498281129633375f5b15aff3a4d71d20225556190c99709baab0016dddcab/keepign-quiter2.jpg" /&#62;
&#60;img width="1817" height="2840" width_o="1817" height_o="2840" data-src="https://freight.cargo.site/t/original/i/b1bd357aa36539b9e3cfcddf1ae99831eff731a4ef8905befdb188e94c6fe892/keepign-quiter.jpg" data-mid="59568067" border="0"  src="https://freight.cargo.site/w/1000/i/b1bd357aa36539b9e3cfcddf1ae99831eff731a4ef8905befdb188e94c6fe892/keepign-quiter.jpg" /&#62;


From Sketch, 2016, SMITH, Cape Town

Smug2016, Acrylic on paper

&#60;img width="2275" height="3364" width_o="2275" height_o="3364" data-src="https://freight.cargo.site/t/original/i/6ad5d25e7fcaaa25c79ed6efeb5bd317dbd20f94741336941abb9c37069e90a7/Sketch17.jpg" data-mid="59568070" border="0" data-scale="64" src="https://freight.cargo.site/w/1000/i/6ad5d25e7fcaaa25c79ed6efeb5bd317dbd20f94741336941abb9c37069e90a7/Sketch17.jpg" /&#62;</description>
		
	</item>
		
		
	<item>
		<title>2019, Remnant, Cape Town</title>
				
		<link>https://claire-johnson.co.za/2019-Remnant-Cape-Town</link>

		<pubDate>Mon, 27 Jan 2020 09:46:22 +0000</pubDate>

		<dc:creator>clairejohnson</dc:creator>

		<guid isPermaLink="true">https://claire-johnson.co.za/2019-Remnant-Cape-Town</guid>

		<description>2019, Remnant, 
SMITH, Cape Town



	&#60;img width="1001" height="1500" width_o="1001" height_o="1500" data-src="https://freight.cargo.site/t/original/i/dbb781f5a7755e7e696a908c8c31c3fe66dc70daf4a01a1055475bdf61a39c9a/SMITH_JAN3_LR-22.jpg" data-mid="59542275" border="0" data-scale="68" src="https://freight.cargo.site/w/1000/i/dbb781f5a7755e7e696a908c8c31c3fe66dc70daf4a01a1055475bdf61a39c9a/SMITH_JAN3_LR-22.jpg" /&#62;

	Remnant (2019),&#38;nbsp; Johnson’s second solo exhibition at the gallery, turns towards the stories and secrets contained within negative space, focusing less on objects themselves than on the stories and impressions that shape our memory of them.
	

	&#60;img width="1001" height="1500" width_o="1001" height_o="1500" data-src="https://freight.cargo.site/t/original/i/5f12daeadb1203f7cc5f0c9e995121458749ca9fff4d416570efd2cf848351e3/SMITH_JAN3_LR-27.jpg" data-mid="59542272" border="0" data-scale="85" src="https://freight.cargo.site/w/1000/i/5f12daeadb1203f7cc5f0c9e995121458749ca9fff4d416570efd2cf848351e3/SMITH_JAN3_LR-27.jpg" /&#62;

	
	To describe her objects, Johnson treats our interaction with them as clues, but sees the
remnants of an object as equally valid. That which is not included is regarded equally
evocative and suggestive. Select works were inspired by stories of memorable or otherwise
personal objects gathered via interviews with a range of subjects, from strangers to friends
and colleagues. In the process Johnson unearthed her own personal narrative: a familial
preoccupation with fabric that extended back generations.


	
&#60;img width="1001" height="1500" width_o="1001" height_o="1500" data-src="https://freight.cargo.site/t/original/i/dc8843df1d389cc4cd3c5a782de4debc1944781878f3ac5f250c43647731482e/SMITH_JAN3_LR-25.jpg" data-mid="59542273" border="0" data-scale="72" src="https://freight.cargo.site/w/1000/i/dc8843df1d389cc4cd3c5a782de4debc1944781878f3ac5f250c43647731482e/SMITH_JAN3_LR-25.jpg" /&#62;
&#60;img width="1000" height="1500" width_o="1000" height_o="1500" data-src="https://freight.cargo.site/t/original/i/49c398748c89576236bb5c44cd7b1984cacde2f46c489f6f2bf84150af3517ff/SMITH_Claire-and-Daniel_015.jpg" data-mid="59542487" border="0"  src="https://freight.cargo.site/w/1000/i/49c398748c89576236bb5c44cd7b1984cacde2f46c489f6f2bf84150af3517ff/SMITH_Claire-and-Daniel_015.jpg" /&#62;
&#60;img width="1000" height="1500" width_o="1000" height_o="1500" data-src="https://freight.cargo.site/t/original/i/ce59150b2a09f531444d508d71a5a25e09ecd4cfe5a98e6f31f9a414a8c4e803/SMITH_Claire-and-Daniel_018.jpg" data-mid="59542267" border="0"  src="https://freight.cargo.site/w/1000/i/ce59150b2a09f531444d508d71a5a25e09ecd4cfe5a98e6f31f9a414a8c4e803/SMITH_Claire-and-Daniel_018.jpg" /&#62;


Inscription / Conhada ofereceme no dia da Festa de 1960, 2019Found Material, 239 x 77 cm


	
&#60;img width="1000" height="1500" width_o="1000" height_o="1500" data-src="https://freight.cargo.site/t/original/i/c9903fa8678273a5f1b0787bc258ecead27fe36311386262e0183b274c29e54e/SMITH_Claire-and-Daniel_034.jpg" data-mid="59542221" border="0" data-scale="72" src="https://freight.cargo.site/w/1000/i/c9903fa8678273a5f1b0787bc258ecead27fe36311386262e0183b274c29e54e/SMITH_Claire-and-Daniel_034.jpg" /&#62;
Loose Grip, 2019Fabric and found oak lintel, 340 x 109 x 10 cm

	
	“What do we make of memories that don’t have a conduit to anchor them in
time and place? Are these any more or less reliable - and how do we represent them visually?
My instinct was to try create something that looked the way it feels; with the weight of
substance in competition with the flimsy nature of memory.”


	
&#60;img width="1000" height="1500" width_o="1000" height_o="1500" data-src="https://freight.cargo.site/t/original/i/f86300e2c167aff299441b712bb12e5e6224f14e497629be3bcac4fea5a8751a/SMITH_Claire-and-Daniel_023.jpg" data-mid="59542250" border="0"  src="https://freight.cargo.site/w/1000/i/f86300e2c167aff299441b712bb12e5e6224f14e497629be3bcac4fea5a8751a/SMITH_Claire-and-Daniel_023.jpg" /&#62;
&#60;img width="1001" height="1500" width_o="1001" height_o="1500" data-src="https://freight.cargo.site/t/original/i/a673dbaf7987af78b3b9b4a3862d3fc5858813a740f947ec4250b275355e2faf/SMITH_JAN3_LR-32.jpg" data-mid="59542286" border="0" data-scale="70" src="https://freight.cargo.site/w/1000/i/a673dbaf7987af78b3b9b4a3862d3fc5858813a740f947ec4250b275355e2faf/SMITH_JAN3_LR-32.jpg" /&#62;



Remnant, 2019Found Material, 100 x 73 cm

	
	With Remnant, Johnson is part archivist and part historian, piecing together a story from
fragments of things and memories. Found objects and impressions are then hauled out of
context, obstructed in their ability to speak for themselves. In other cases, the unearthed
stories and memories are unaccompanied and ungalvanised by objects, existing as they do as
Chinese whispers, passed on with cumulative abstraction over time.

	&#60;img width="1500" height="999" width_o="1500" height_o="999" data-src="https://freight.cargo.site/t/original/i/48108b96d63ed2ca5f0cf6115a42f71c48809f4864efd3346b51c72916d525c8/SMITH_JAN2_LR-25.jpg" data-mid="59542277" border="0" data-scale="88" src="https://freight.cargo.site/w/1000/i/48108b96d63ed2ca5f0cf6115a42f71c48809f4864efd3346b51c72916d525c8/SMITH_JAN2_LR-25.jpg" /&#62;
Remnant Studies 1 &#38;amp; 2, 2019
Acrylic on paper, 94 x 134 cm

	&#60;img width="1000" height="1500" width_o="1000" height_o="1500" data-src="https://freight.cargo.site/t/original/i/6ef54e5cc51b47c2373c06b96d7c68df62f05702179ddccb075d09959da100be/003.jpg" data-mid="59542270" border="0" data-scale="75" src="https://freight.cargo.site/w/1000/i/6ef54e5cc51b47c2373c06b96d7c68df62f05702179ddccb075d09959da100be/003.jpg" /&#62;


	
		
		
	
	
		
			
				
					
						
If Memory Serves, 2019

Video Projection onto fabric
9
15 x 510 x 2 cm, length: 05.42min

						
					
				
			
		
	



	&#60;img width="1500" height="1000" width_o="1500" height_o="1000" data-src="https://freight.cargo.site/t/original/i/bbc083253a05849207b7cfe99e1ed04d71b67769b39c65880a255cce242dc5a3/IMG_3118.jpg" data-mid="59542285" border="0" data-scale="87" src="https://freight.cargo.site/w/1000/i/bbc083253a05849207b7cfe99e1ed04d71b67769b39c65880a255cce242dc5a3/IMG_3118.jpg" /&#62;
Plain as Day, 2019
Video Projection, 360 x 130 x 1 cm
Length: 02.31 min


	
	

	
		
		
	
	
		
			
				
					
						
	Exhibiting a video installation looping the shadow of a pair of trousers flapping in the breeze, by repurposing the discarded fabric left aside after a garment is cut, or when studying the
various folds in a selection of found handkerchiefs, Johnson treats the secondary and
abstract as empirically valid. By providing ‘real world’ glimpses that speak sometimes directly and sometimes obliquely to the surrounding artworks, Johnson reiterates the notion that what isn’t apparent is as expressive as what is.

	
&#60;img width="1059" height="1500" width_o="1059" height_o="1500" data-src="https://freight.cargo.site/t/original/i/f5379759c2666e00dde505850dc77003121dee2ba5ab149296094b9836e95761/SMITH_JAN2_LR-24.jpg" data-mid="59542278" border="0" data-scale="90" src="https://freight.cargo.site/w/1000/i/f5379759c2666e00dde505850dc77003121dee2ba5ab149296094b9836e95761/SMITH_JAN2_LR-24.jpg" /&#62;
&#60;img width="1053" height="1500" width_o="1053" height_o="1500" data-src="https://freight.cargo.site/t/original/i/cd86f81acd8f36404d07bf7e0f0b7f7d4b9db105c928a962d6da220f1727e319/SMITH_JAN2_LR-23.jpg" data-mid="59542279" border="0"  src="https://freight.cargo.site/w/1000/i/cd86f81acd8f36404d07bf7e0f0b7f7d4b9db105c928a962d6da220f1727e319/SMITH_JAN2_LR-23.jpg" /&#62;
&#60;img width="1500" height="2151" width_o="1500" height_o="2151" data-src="https://freight.cargo.site/t/original/i/e819a545830f61a391fa7741d4b607577d944472851070144c95b9f0a02a8e27/SMITH_JAN2_LR-22.jpg" data-mid="59542280" border="0"  src="https://freight.cargo.site/w/1000/i/e819a545830f61a391fa7741d4b607577d944472851070144c95b9f0a02a8e27/SMITH_JAN2_LR-22.jpg" /&#62;
Warp and Weft, 2019
Glad Rags,2019Taute, 2019

Acrylic on paper
107 x 76 cm


	
	“Something unsaid, a musical note withheld, the creases in a folded but unused
handkerchief or the shadow of a pair of trousers flapping on the washing line - these details
are as empirical as anything else. They are statements, if you like, that speak to what I believe
to be a truer nature of objects, which are nothing definite or definable in and of themselves
but subjects to the vagaries of our own differing perceptions.”

	&#60;img width="1500" height="1500" width_o="1500" height_o="1500" data-src="https://freight.cargo.site/t/original/i/a3092adddeca622ba97d2778eed91b7c55d05b0faa0fe73de05d54758e587617/SMITH_JAN2_LR-27-2.jpg" data-mid="59542276" border="0" data-scale="77" src="https://freight.cargo.site/w/1000/i/a3092adddeca622ba97d2778eed91b7c55d05b0faa0fe73de05d54758e587617/SMITH_JAN2_LR-27-2.jpg" /&#62;

A Lennox &#38;amp; Sons of Armagh, 2019

Acrylic on canvas, 56 x 55 cm

	
	Canvas paintings are framed with exposed fabric hanging like an untucked
shirt suggesting that canvas, like clothing, is at first a fabric and a screen upon which we
project and impose our own impressions - and tell our own stories.



	&#60;img width="1000" height="1500" width_o="1000" height_o="1500" data-src="https://freight.cargo.site/t/original/i/1b37e9d9a0595700b6a98335c4f9e17ed5a5371cccdf6dc74552a3f51f001b2a/SMITH_Claire-and-Daniel_027.jpg" data-mid="59542239" border="0" data-scale="84" src="https://freight.cargo.site/w/1000/i/1b37e9d9a0595700b6a98335c4f9e17ed5a5371cccdf6dc74552a3f51f001b2a/SMITH_Claire-and-Daniel_027.jpg" /&#62;

In the Event of a Special Occasion, 2019

Acrylic on canvas,125 x 83 cm


				
			
		
	

&#38;nbsp;
Text by Matthew Freemantle
Download Press Release</description>
		
	</item>
		
		
	<item>
		<title>2016, Changing Hands, Cape Town </title>
				
		<link>https://claire-johnson.co.za/2016-Changing-Hands-Cape-Town</link>

		<pubDate>Mon, 27 Jan 2020 15:57:02 +0000</pubDate>

		<dc:creator>clairejohnson</dc:creator>

		<guid isPermaLink="true">https://claire-johnson.co.za/2016-Changing-Hands-Cape-Town</guid>

		<description>2016, Changing Hands, 
SMITH, Cape Town



	
Changing Hands consists of
compositions of ostensibly abstract forms, produced by a self-generated process which is
underpinned by the human relationship with objects; and the attempt to relieve artwork from its
context.
 
	

	&#60;img width="1800" height="1200" width_o="1800" height_o="1200" data-src="https://freight.cargo.site/t/original/i/5a86fb4aba203cb3bf8dc0712dd897d74b6cb268aaabeca278255a2a8d3fce9c/Changing-Hands_Smith_016.jpg" data-mid="59561454" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/5a86fb4aba203cb3bf8dc0712dd897d74b6cb268aaabeca278255a2a8d3fce9c/Changing-Hands_Smith_016.jpg" /&#62;

	
	Her work is based on an object which runs through an experiment, which involves the
flattening of three dimensional items into unpredictable two dimensional forms. From there, her
process becomes loose, shapes are intuitively arranged into compositions, and colour is chosen
instinctively, by choosing contrasting combinations on the shop floor.

	
&#60;img width="2577" height="2573" width_o="2577" height_o="2573" data-src="https://freight.cargo.site/t/original/i/b751fe80bf56996fdfce036f9e9af4ac2bfba6f76c931a29690bc02ad5d572a2/Classic-Rooms.LR.jpg" data-mid="59563176" border="0" data-scale="76" src="https://freight.cargo.site/w/1000/i/b751fe80bf56996fdfce036f9e9af4ac2bfba6f76c931a29690bc02ad5d572a2/Classic-Rooms.LR.jpg" /&#62;
&#60;img width="2733" height="2744" width_o="2733" height_o="2744" data-src="https://freight.cargo.site/t/original/i/31698b75401c0f67b7dfd2815b1ea79144d3b1799a1cf7e7d2e3a20919cdf988/I-Saw-You-Coming.LR.jpg" data-mid="59563175" border="0"  src="https://freight.cargo.site/w/1000/i/31698b75401c0f67b7dfd2815b1ea79144d3b1799a1cf7e7d2e3a20919cdf988/I-Saw-You-Coming.LR.jpg" /&#62;
&#60;img width="2579" height="2584" width_o="2579" height_o="2584" data-src="https://freight.cargo.site/t/original/i/2602f4c643d5d8785809bf7575a7182f4a4d08245d12a705d38f6c07b08ac84d/Smug.LR.jpg" data-mid="59563177" border="0"  src="https://freight.cargo.site/w/1000/i/2602f4c643d5d8785809bf7575a7182f4a4d08245d12a705d38f6c07b08ac84d/Smug.LR.jpg" /&#62;

Smug,&#38;nbsp;2016
Classic Rooms, 2016
I Saw You Coming, 2016

Acrylic on paper,&#38;nbsp;99 x 99c
&#60;img width="1800" height="1200" width_o="1800" height_o="1200" data-src="https://freight.cargo.site/t/original/i/2e4ced06534eef1e2fe62e2066f8d02e3bd66b89878a4339b4e563f91ed56a0d/Changing-Hands_Smith_002.jpg" data-mid="59561449" border="0"  src="https://freight.cargo.site/w/1000/i/2e4ced06534eef1e2fe62e2066f8d02e3bd66b89878a4339b4e563f91ed56a0d/Changing-Hands_Smith_002.jpg" /&#62;
	
	

	
		
		
	
	
		
			
				
					The subject of her work is always an object, personal or found. An object without context cannot
speak for itself, and therefore when being engaged with, inevitably, the beholder will establish their
own understanding of its relationship to the world, overwriting any history or significance that it
may have had. Its story is completed by the viewer, much as in art; where the viewers subjective
perception is the only real experience, regardless of the artists intentions.

				
			
		
	


	&#60;img width="2429" height="3310" width_o="2429" height_o="3310" data-src="https://freight.cargo.site/t/original/i/e5ea18fa5d8e464581521dde60177ccd9a904177eda803edf18df26ad7a706a4/Part-Time.LR.jpg" data-mid="59563172" border="0"  src="https://freight.cargo.site/w/1000/i/e5ea18fa5d8e464581521dde60177ccd9a904177eda803edf18df26ad7a706a4/Part-Time.LR.jpg" /&#62;Part Time, 2016, Acrylic on paper, 40 x 40cm

	&#60;img width="1322" height="1800" width_o="1322" height_o="1800" data-src="https://freight.cargo.site/t/original/i/9c516617931e76f55da19b9157f33b61dfdb314fd0b32dcce1e7a4560ce3b0d8/Modern-Materials.HR.jpg" data-mid="59563135" border="0"  src="https://freight.cargo.site/w/1000/i/9c516617931e76f55da19b9157f33b61dfdb314fd0b32dcce1e7a4560ce3b0d8/Modern-Materials.HR.jpg" /&#62;

Modern Materials, 2016, Acrylic on paper, 40 x 40cm

	

&#60;img width="2465" height="2465" width_o="2465" height_o="2465" data-src="https://freight.cargo.site/t/original/i/b0f0ca18c4e9bed3c7f9fb6668944377917cca6ce43f499d4b9c53c5c734248d/Parking-Lot-LR.jpg" data-mid="59563143" border="0" data-scale="75" src="https://freight.cargo.site/w/1000/i/b0f0ca18c4e9bed3c7f9fb6668944377917cca6ce43f499d4b9c53c5c734248d/Parking-Lot-LR.jpg" /&#62;
&#60;img width="1791" height="1800" width_o="1791" height_o="1800" data-src="https://freight.cargo.site/t/original/i/8894c1ed7dc946bd5091283ce46a971f860cfd40e1054dd8b7d3e0a23b66eb06/Office-Furnishing.LR.jpg" data-mid="59563117" border="0"  src="https://freight.cargo.site/w/1000/i/8894c1ed7dc946bd5091283ce46a971f860cfd40e1054dd8b7d3e0a23b66eb06/Office-Furnishing.LR.jpg" /&#62;
&#60;img width="2167" height="2189" width_o="2167" height_o="2189" data-src="https://freight.cargo.site/t/original/i/f6a0616ea01d5236b296efe8ae98c8d2ed2d3c450b47f306b01cc0e33f8b125d/Victoriana.LR.jpg" data-mid="59563158" border="0"  src="https://freight.cargo.site/w/1000/i/f6a0616ea01d5236b296efe8ae98c8d2ed2d3c450b47f306b01cc0e33f8b125d/Victoriana.LR.jpg" /&#62;

The Parking Lot, 2016Office Furnishing, 2016
Victoriana, 2016


Acrylic on paper, 80 x 80cm

	
	‘If the viewer where to know what the object was, the illusion would be broken and process exposed. The audience would not be able to see anything beyond what they then knew, even its the significance would not matter, the power of the imagination hindered. The baggage of its context preventing the viewer from having ownership over its meaning.’

	

	
		
		
	
	
		
			
				
					
						
&#60;img width="2422" height="3294" width_o="2422" height_o="3294" data-src="https://freight.cargo.site/t/original/i/1c24b08cc026009aa07d3a14dc1b0596d78e33441c4737ae0f9303bae012bf2f/Night-Class-Week-Three.LR.jpg" data-mid="59563165" border="0"  src="https://freight.cargo.site/w/1000/i/1c24b08cc026009aa07d3a14dc1b0596d78e33441c4737ae0f9303bae012bf2f/Night-Class-Week-Three.LR.jpg" /&#62;
&#60;img width="915" height="1800" width_o="915" height_o="1800" data-src="https://freight.cargo.site/t/original/i/685b1e8e9f2021eafb523df730945a6f0c40173dc37bb5f6c20e1a2c990c598a/Guest-of-Honour.LR.jpg" data-mid="59563126" border="0"  src="https://freight.cargo.site/w/915/i/685b1e8e9f2021eafb523df730945a6f0c40173dc37bb5f6c20e1a2c990c598a/Guest-of-Honour.LR.jpg" /&#62;
&#60;img width="2354" height="3806" width_o="2354" height_o="3806" data-src="https://freight.cargo.site/t/original/i/bede7e4a053bc856565c4f9d0ed96872694712eb5cb5b3210ed7a60ab93ee28a/High-Arch.LR.jpg" data-mid="59563174" border="0"  src="https://freight.cargo.site/w/1000/i/bede7e4a053bc856565c4f9d0ed96872694712eb5cb5b3210ed7a60ab93ee28a/High-Arch.LR.jpg" /&#62;
&#60;img width="2441" height="3295" width_o="2441" height_o="3295" data-src="https://freight.cargo.site/t/original/i/0bc8e8dd0c639476e69f38256f60e047fa2b9b361bafb4b910eaa29a14822fde/Souvenir.LR.jpg" data-mid="59563216" border="0"  src="https://freight.cargo.site/w/1000/i/0bc8e8dd0c639476e69f38256f60e047fa2b9b361bafb4b910eaa29a14822fde/Souvenir.LR.jpg" /&#62;


Night Class Week Three &#38;amp; Souvenir, 2016, Acrylic on paper, 
40 x 40cmGuest of Honour, 2016Acrylic on
paper, 75 x 40cm

High Arch, 2016Acrylic on paper,
 55 x 40cm&#60;img width="1800" height="1200" width_o="1800" height_o="1200" data-src="https://freight.cargo.site/t/original/i/89c4250f199a30ecc6d806917844c6097f58363798cc9ece01ebb63fe1eaa94f/Changing-Hands_Smith_009.jpg" data-mid="59561458" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/89c4250f199a30ecc6d806917844c6097f58363798cc9ece01ebb63fe1eaa94f/Changing-Hands_Smith_009.jpg" /&#62;



Through its lifespan, the featured object evolves from a physical item, into a flattened shape, and finally into a composition hung on a wall. Its past becomes irrelevant and it is only ‘genetically’ related to the final piece, the resemblance being purely physical. The spotlight of significance moves with each change of context.
	

&#60;img width="1200" height="1800" width_o="1200" height_o="1800" data-src="https://freight.cargo.site/t/original/i/401f81c5a4245f485538d6717dcade2f0e7617351c126a47704b944f3ee2c3b8/Changing-Hands_Smith_012.jpg" data-mid="59561457" border="0"  src="https://freight.cargo.site/w/1000/i/401f81c5a4245f485538d6717dcade2f0e7617351c126a47704b944f3ee2c3b8/Changing-Hands_Smith_012.jpg" /&#62;
&#60;img width="2046" height="2908" width_o="2046" height_o="2908" data-src="https://freight.cargo.site/t/original/i/33230874dfcb7d169e45805cd638be119370ced0131f2f10bd5754a9ea1b36eb/House-Warming.LR.jpg" data-mid="59563178" border="0" data-scale="73" src="https://freight.cargo.site/w/1000/i/33230874dfcb7d169e45805cd638be119370ced0131f2f10bd5754a9ea1b36eb/House-Warming.LR.jpg" /&#62;
&#60;img width="2030" height="2905" width_o="2030" height_o="2905" data-src="https://freight.cargo.site/t/original/i/76d10cdcc0ef2cfc79ad0c3e7a02681035c3269cf4290c323e36ff59c0e22817/Self-Grooming.LR.jpg" data-mid="59563179" border="0"  src="https://freight.cargo.site/w/1000/i/76d10cdcc0ef2cfc79ad0c3e7a02681035c3269cf4290c323e36ff59c0e22817/Self-Grooming.LR.jpg" /&#62;

House-Warming, 2016
Self Grooming, 2016North Facing, 2016

Linocut on paper, 
Edition of 5 + 1 AP

	
		
		
	
	
		
			
				
					
						



	&#60;img width="1800" height="1200" width_o="1800" height_o="1200" data-src="https://freight.cargo.site/t/original/i/3fd4ba9a7007cc5f391a53bf098c7b5e6ce27c92b35bf6017771661c6fea608a/Changing-Hands_Smith_015.jpg" data-mid="59561455" border="0"  src="https://freight.cargo.site/w/1000/i/3fd4ba9a7007cc5f391a53bf098c7b5e6ce27c92b35bf6017771661c6fea608a/Changing-Hands_Smith_015.jpg" /&#62;
The objects systematic evolution starkly contrasts the viewers engagement of the final piece, being immediate and intuitive. This is the delicate balance, ensuring enough degrees of separation to require the viewer to complete the story themselves, uninfluenced by its context; allowing access for unhindered interpretation.
Text by Matthew Freemantle
	

&#60;img width="1200" height="1800" width_o="1200" height_o="1800" data-src="https://freight.cargo.site/t/original/i/69ea972b022eb56c1c397358942346e3db588c9e4638c7a3c5e426c159adc897/Changing-Hands_Smith_007.jpg" data-mid="59561460" border="0" data-scale="69" src="https://freight.cargo.site/w/1000/i/69ea972b022eb56c1c397358942346e3db588c9e4638c7a3c5e426c159adc897/Changing-Hands_Smith_007.jpg" /&#62;
&#60;img width="1200" height="1800" width_o="1200" height_o="1800" data-src="https://freight.cargo.site/t/original/i/dcb1c3da735d2a1f3bea2620a41ae03f916c04121fc971499af5239a5caf36fd/Changing-Hands_Smith_023.jpg" data-mid="59561451" border="0"  src="https://freight.cargo.site/w/1000/i/dcb1c3da735d2a1f3bea2620a41ae03f916c04121fc971499af5239a5caf36fd/Changing-Hands_Smith_023.jpg" /&#62;
Scrubs, 2016
Cotton, 260 x 120cm
Captive Audience, 2016
Linen, 260 x 120cm


&#60;img width="1800" height="1200" width_o="1800" height_o="1200" data-src="https://freight.cargo.site/t/original/i/c781c9bfbd1de514023f16b2ce7526d7e509ae3c84c6bca6660f8a6f1f2ef5c3/Changing-Hands_Smith_021.jpg" data-mid="59561452" border="0"  src="https://freight.cargo.site/w/1000/i/c781c9bfbd1de514023f16b2ce7526d7e509ae3c84c6bca6660f8a6f1f2ef5c3/Changing-Hands_Smith_021.jpg" /&#62;
Spelling Error, 2016
Linen, 260 x 120cm
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